By Bukoladeremi Ladigbolu/
Several years ago, I attended a Creative Writing course at the training school of the Federal Radio Corporation of Nigeria in Lagos. During the programme, I wrote a radio short story titled ‘Mother’s Ring’. To this day, some of my course mates still refer to me by that title.
One lesson from that experience has stayed with me: my lecturer emphasised that any work of art without critique is incomplete. Constructive criticism, when embraced, creates room for growth and excellence.
A few days ago, I watched ‘Behind the Scene’, a film by Funke Akindele, and I must admit I was pleasantly surprised, though I expected nothing less.
One of the first elements that stood out was the title. Funke has a distinct flair for crafting titles, much like a seasoned journalist draws a compelling headline from a story. At first, the title did not resonate with me, but after watching the film, its meaning became clear and fitting.
The Fernandez family was portrayed in a way that felt authentic and relatable. The film explored themes of entitlement, unreciprocated love and self-centredness with honesty.
Aderonke, the compassionate and selfless figure, stood out for her genuine love for her siblings. Adewale, the only son, convincingly depicted the familiar “only boy syndrome”, indulged yet essentially kind-hearted. Many families will recognise this dynamic.
The performances were strong across the board. The party scene was lively, colourful and believable. Iyabo Ojo delivered her role with natural ease, while Funke infused her character as Olori Ebi with her signature Jenifa-style expression.
My standout performance goes to Destiny Etiko, who appeared entirely at ease in her role and brought sincerity to her character, particularly in her interactions with her employer’s children. Ibrahim Chatta also remains exceptional; his versatility continues to set him apart.
The children added a refreshing layer of innocence to the story, often representing truth and fairness, even in difficult circumstances.
However, the film also presents a sobering reflection on human nature. The treatment of Aderonke by her own family, despite her kindness, was deeply troubling. It raises important questions about trust, boundaries and the complexities of close relationships.
Victor’s character was admirable and highlighted the value of genuine friendship. The film also portrayed a meaningful, non-romantic relationship between a man and a woman, which is not often explored.
Technically, the production quality, both in sound and visuals, was commendable.
That said, the storyline could have benefited from stronger suspense. Some aspects of the narrative may feel predictable to older viewers, although younger audiences should still recognise the real-life lessons embedded in the story.
A few concerns remain. Victor’s death appeared unnecessary and might have been more impactful had his character survived with consequences.
The portrayal of tribal marks came across as insensitive, given their cultural significance to many.
In addition, a clearer medical explanation of Aderonke’s illness would have added depth and awareness.
Overall, I would rate the film 7.5/10 for the cast and crew. It is a commendable effort, and expectations will remain high for future productions.
